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The book presents a novel examination of urban commons which
provides a robust base for education initiatives and future public
policy guidance on the protection and use of urban commons as
invaluable urban green spaces that offer a diverse cultural and
ecological resource for future communities. The book's central
argument is that only through a deep understanding of the past and
a rigorous engagement with present users, can we devise new futures
or imaginaries of culture, well-being and diversity for the urban
commons. It argues that understanding the genesis of, and
interactions between, the different pressures on urban green space
has important policy implications for the delivery of nature
conservation, recreational access and other land use priorities.
The stakeholders in today’s urban commons, whether land users,
policy makers or the public, are the inheritors of a complex
cultural legacy and must negotiate diverse and sometimes
conflicting objectives in their pursuit of a potentially unifying
goal: a secure future for our urban commons. The book offers a
unique and strongly interdisciplinary study of urban commons, one
that brings together original historical investigation,
contemporary legal scholarship, extensive oral history research
with user groups, and research examining the imagined futures for
the urban common in modern society. It explores the complex social
and political history of the urban common, as well as its legal and
cultural status today, using four diverse case studies from within
England as exemplars of the distinctively urban common. These are
Town Moor in Newcastle, Mousehold Heath in Norwich, Clifton and
Durdham Downs in Bristol and Valley Gardens in Brighton. The book
concludes by looking forward and considering new tools and methods
of negotiation, inclusivity and creativity to inform the future of
these case studies, and of urban commons more widely. This book
will be of great interest to students and scholars of the commons,
green spaces, urban planning, environmental and urban geography,
environmental studies and natural resource management.
Exam Board: ISEB Level: 11 Plus Subject: Non-Verbal Reasoning First
Teaching: September 2016 First Exam: Spring 2017 Practice exam
papers to prepare children for the most challenging of pre-tests
and 11 plus independent school entrance exams. Includes 9 levelled
exam papers that will test pupils' skills in Non-Verbal Reasoning.
- Develops exam techniques tested in all major pre-tests and 11
plus independent school examinations including CEM, GL and ISEB -
Features papers written to measured levels of difficulty to help
build skills - Teaches pupils to improve their response rates with
timed papers - Builds exam-room confidence by practicing with a
variety of exam paper styles - Identifies weaker areas and improves
results with detailed answers and commentary Also available for 11
Plus Non-Verbal Reasoning preparation: - 11 Plus Non-Verbal
Reasoning Revision Guide - Non-Verbal Reasoning Workbook Age 8-10 -
Non-Verbal Reasoning Workbook Age 9-11 - Non-Verbal Reasoning
Workbook Age 10-12
Exam Board: ISEB Level: 11 Plus Subject: Verbal Reasoning First
Teaching: September 2016 First Exam: Spring 2017 An essential study
and revision guide to help children secure top marks in pre-tests
and 11 plus independent school entrance examinations. The
stretching content ensure that verbal reasoning skills are
thoroughly reviewed ahead of the exams. - Prepares pupils for all
major pre-tests and 11 plus independent school examinations
including CEM, GL and ISEB - Explains and tests all of the question
types that pupils could face - Features helpful insight into the
exams, with practical tips and advice - Identifies strengths and
weaknesses using 11 plus sample tests with detailed answer guidance
- Clear links between Verbal Reasoning and existing study of
English - Includes topics such as constructing words, understanding
word meaning, working with numbers and algebra, and developing
logic skills The brand new for 2016 11 plus and pre-test range has
been constructed to help pupils follow a three step revision
journey .. Step 1) 11 Plus Verbal Reasoning Study and Revision
Guide Step 2) Practice Papers 11 Plus Verbal Reasoning Practice
Papers 1 11 Plus Verbal Reasoning Practice Papers 2 Step 3)
Workbooks 11 Plus Verbal Reasoning Workbook Age 8-10 11 Plus Verbal
Reasoning Workbook Age 9-11 11 Plus Verbal Reasoning Workbook Age
10-12
Exam Board: ISEB Level: 11 Plus Subject: Non-Verbal Reasoning First
Teaching: September 2016 First Exam: Spring 2017 Practice exam
papers to prepare children for the most challenging of pre-tests
and 11 plus independent school entrance exams. Includes 4 levelled
exam papers from the most challenging Non-Verbal Reasoning exam
papers that will test pupils' skills in Non-Verbal Reasoning. *
Develops exam techniques tested in all major pre-tests and 11 plus
independent school examinations including CEM, GL and ISEB *
Features papers written to measured levels of difficulty to help
build skills * Teaches pupils to improve their response rates with
timed papers * Builds exam-room confidence by practicing with a
variety of exam paper styles * Identifies weaker areas and improves
results with detailed answers and commentary Also available for 11
Plus Non-Verbal Reasoning preparation: * 11 Plus Non-Verbal
Reasoning Revision Guide * Non-Verbal Reasoning Workbook Age 8-10 *
Non-Verbal Reasoning Workbook Age 9-11 * Non-Verbal Reasoning
Workbook Age 10-12
In the aftermath of World War I, a sense of impasse and thwarted
promise shaped the political and cultural spheres in Britain.
Writers such as D. H. Lawrence, Hilda Doolittle, T. S. Eliot and
Wyndham Lewis were among the literary figures who responded by
pursuing vividness, autonomy and impersonality in their work. Yet
the extent to which these practices were reflected in ideas about
music from within the same milieu has remained unrecognised.
Uncovering the work of composer-critics who worked alongside these
figures - including Philip Heseltine (Peter Warlock), Cecil Gray
and Kaikhosru Sorabji - Sarah Collins traces the shared tendencies
of literary and musical modernisms in interwar Britain. Collins
explores the political investments underpinning these tendencies,
as well as the influence of English Nietzscheanism and related
intellectual currents, arguing that a particular conception of the
self, history, and the public characterised an ethos of 'lateness'
within this milieu.
Exam Board: ISEB Level: 11 Plus Subject: Non-Verbal Reasoning First
Teaching: September 2016 First Exam: Spring 2017 Secure the top
marks in 11 plus independent school entrance exams and pre-tests
and a better chance at getting into their school of choice with
this essential study and revision guide. Stretching content ensures
that all the Non-Verbal Reasoning skills are thoroughly revised
ahead of the exams. - Explains and tests the full range of question
types and skills met in Non-Verbal Reasoning in exams - Prepares
pupils for a wide range of independent school exams and pre-tests
with challenging extension material - Builds on existing knowledge
with clear cross-curricular links to English - Features helpful
insight in to the exams, with examples, practical tips and advice -
Prepares pupils for exam conditions with timed and levelled
exam-style questions - Identifies strengths and weaknesses using 11
plus sample tests with detailed answer guidance Also available for
11 Plus Verbal Reasoning preparation: - Non-Verbal Reasoning
Workbook Age 8-10 - Non-Verbal Reasoning Workbook Age 9-11 - Non
Verbal Reasoning Workbook Age 10-12 - 11+ Non- Verbal Reasoning
Practice Papers 1&2 Revision Guides, Workbooks and Practice
Papers are also available for Maths, English, Science and Verbal
Reasoning on www.galorepark.co.uk
The first comprehensive account of the life and influences of Cyril
Scott, not merely a composer but an artist in the broadest possible
sense of the term. Prolific and personable, innovative and
contentious, Cyril Scott (1879 - 1970) was considered to be one of
the most promising young talents in modern British music at the
turn of the twentieth century. He was a member of the 'Frankfurt
Group' (together with Percy Grainger, Norman O'Neill, Roger Quilter
and Balfour Gardiner), his music was performed by some of the
leading conductors of the time in Britain and on the Continent, and
his friends included highly influential figures in European
literature, art and politics. Apart from his music, Scott was the
author of many books on alternative medicine, psychology,
Occultism, Theosophy and comparative religion. He also wrote
fiction, autobiography, and poetry. Scott embodied a unique time in
a particularly unique way. His aesthetic ideas informed both his
professional creative practice and his manner of living. He was not
merely a composer, but an artist in thebroadest possible sense of
the term. This book provides the first comprehensive account of
Scott's life and influences as well as an outline and
contextualization of his aesthetic thinking. It traces his changing
conceptionof the function of art and the role of the artist from
his formative exposure to Symbolism through his friendship with the
German poet Stefan George, to his exploration of Western and
Eastern esoteric traditions, showing how the prevailing
cross-pollination of ideas allowed him to develop a fully
integrated rationale for his art and life. The story of Scott's
development guides the reader through some of the most fascinating
intellectual discourses of late-nineteenth and
early-twentieth-century Europe. Sarah Collins' current research
focuses on British music aesthetics and criticism in the
late-nineteenth and early-twentieth centuries. She has a particular
interest in the interaction between turn-of-the-century conceptions
of the function of criticism, theories of critical intuition and
questions of moral philosophy. She lectured at the University of
Queensland from 2006 and joined the faculty ofMonash University in
2012.
Rarely studied in their own right, writings about music are often
viewed as merely supplemental to understanding music itself. Yet in
the nineteenth century, scholarly interest in music flourished in
fields as disparate as philosophy and natural science, dramatically
shifting the relationship between music and the academy. An
exciting and much-needed new volume, The Oxford Handbook of Music
and Intellectual Culture in the Nineteenth Century draws deserved
attention to the people and institutions of this period who worked
to produce these writings. Editors Paul Watt, Sarah Collins, and
Michael Allis, along with an international slate of contributors,
discuss music's fascinating and unexpected interactions with
debates about evolution, the scientific method, psychology,
exoticism, gender, and the divide between high and low culture.
Part I of the handbook establishes the historical context for the
intellectual world of the period, including the significant genres
and disciplines of its music literature, while Part II focuses on
the century's institutions and networks - from journalists to
monasteries - that circulated ideas about music throughout the
world. Finally, Part III assesses how the music research of the
period reverberates in the present, connecting studies in
aestheticism, cosmopolitanism, and intertextuality to their
nineteenth-century origins. The Handbook challenges Western music
history's traditionally sole focus on musical work by treating
writings about music as valuable cultural artifacts in themselves.
Engaging and comprehensive, The Oxford Handbook of Music and
Intellectual Culture in the Nineteenth Century brings together a
wealth of new interdisciplinary research into this critical area of
study.
The discourse of Victorian liberalism has long been explored by
scholars of literature, with reference to politics, ethics and
aesthetics. Yet little attention has been paid to music's role in
the context of these debates, leaving a rich collection of
historical and archival detail on the periphery of our
understanding. From the impact of the National Sunday League to the
reception of Wagner in London, this collection of essays aims to
nuance current approaches to the aesthetic facets of liberalism,
examining the interaction between music and liberal ideas in a
variety of social contexts. The significance of music for modern
conceptions of self-hood and community is uncovered, revealing a
new dimension of Victorian liberalism.
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Journey of Abhira
Sarah Collins
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R2,295
Discovery Miles 22 950
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Ships in 10 - 15 working days
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In the aftermath of World War I, a sense of impasse and thwarted
promise shaped the political and cultural spheres in Britain.
Writers such as D. H. Lawrence, Hilda Doolittle, T. S. Eliot and
Wyndham Lewis were among the literary figures who responded by
pursuing vividness, autonomy and impersonality in their work. Yet
the extent to which these practices were reflected in ideas about
music from within the same milieu has remained unrecognised.
Uncovering the work of composer-critics who worked alongside these
figures - including Philip Heseltine (Peter Warlock), Cecil Gray
and Kaikhosru Sorabji - Sarah Collins traces the shared tendencies
of literary and musical modernisms in interwar Britain. Collins
explores the political investments underpinning these tendencies,
as well as the influence of English Nietzscheanism and related
intellectual currents, arguing that a particular conception of the
self, history, and the public characterised an ethos of 'lateness'
within this milieu.
The panicked voice of a teenage girl interrupts Celie Landon's
gardening at her river house one unseasonably warm April day. As
soon as she realizes the dark spot in the water may be a child, she
races to help the girl, but arrives too late. During the rescue
efforts for 11 year-old Henry Lewis, his older sister Meeka and
Celie are inextricably linked. The guilt that each one feels roils
under the surface while the body remains missing for four days. As
Celie obsesses over her part in the drowning, she confronts
feelings of inadequacy after a year-long battle with cancer, the
widening distance from her husband Jake, and issues from her New
England childhood in an elitist all-white town. 14-year-old Meeka,
crushed by her mother's withdrawal, worries about her own
continuing responsibility to 'mind' her little sister Jasmine, 5,
and two cousins, Line, 7, and Rey, 13, abandoned by his mother a
year earlier. Struggling to make sense of the sudden changes in her
world, Meeka is curious about the white lady's ongoing interjection
in their lives. Their growing relationship is complicated by
Celie's disgust over her failure to be the person she thought she
was before the cancer. At the funeral while Meeka's mother and
schoolmates challenge her publicly, Rey disappears. Meeka blames
herself. Guessing that he's gone to find his unreliable mother, she
leaves home secretly to track him down. When Celie figures out
where Meeka has gone, she follows them to Baltimore in hopes of
saving them from another tragedy. Interwoven with the unspoken
issues of race in small-town America, the story celebrates the
journey of unlikely friends who discover common ground in their
grief and in their determination to be better people.
This fifth volume of Abu Salabikh Excavations is the definitive
account of the excavation of two large domestic residences at the
Early Dynastic III city at Abu Salabikh, in south Iraq 15 km to the
north of Nippur. It describes and illustrates the houses and their
contents, in particular the intramural burials, with coverage of
the human osteology, and botanical, zoological and
micromorphological studies.
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